The 50 best slasher movies of all time HOWEVER. Be it Gary Oldman (relishing the role, and some masterful makeup) as the soulful but ruthless bloodsucker, Winona Ryder as his long-lost love, or Anthony Hopkins as the equally storied Dr. Van Helsing, nothing about the film or its performances is subtle—and that’s before we get to Keanu Reeves. To me, it’s always felt something like a movie-length episode of The Twilight Zone, and I mean that in the most complimentary way I can. However, Netflix has done the drama justice in other ways, making it a significant contribution to the horror genre. —Robert Ham, Year: 2012 Director: Ridley Scott Stars: Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green, Charlize Theron Rating: R Runtime: 124 minutes, Years after its initial release, fans of Ridley Scott and the Alien franchise seem to have come to peace with Prometheus, at least to some extent. Patton, who is gay in real life, struggled with the film’s legacy, largely leaving acting as a result of the experience, but has embraced Freddy’s Revenge as a queer camp classic in recent years. The film’s simple premise of tapping into the horrors of dreaming and questionable reality was like a gift from the gods presented directly to the artists and set designers, given carte blanche to indulge their fantasies and create memorable set pieces like nothing else ever seen in the horror genre to that point. New on Netflix, Stan, Prime Video, Foxtel, BINGE, Disney+, hayu and more in May 2021 Alexandra Plesa Posted: 30 April 2021 5:01 pm This likewise leads to a loosening of the established “dream rules” that is somewhat kayfabe-breaking, making the implication that Freddy can, for instance, attack people during the daytime when the unborn baby is asleep. Copyright ©  2018 Fandango. 8. Charm City Kings; May 18. Back a human into a corner, and they’ll throw you into a ditch, leave you for dead and steal your shit, and what’s more unsettling than “better you than me” as a guiding principle for living? To be sure, the body horror is egregious, and its tension visceral, but the bonus of Scanners is that, still so early in his career, Cronenberg had an obviously dubious time trying to figure out what kind of films he wanted to make. Taking the lessons he learned as a ‘70s Roger Corman protege, Dante borrows character actors like Dick Miller to create a cynical, biting rebuke of maudlin sentimentality and children’s entertainment. Too many aspects of Jaws 2 simply ring hollow—would it really be THAT hard to convince local government and law enforcement that another shark was around, only a couple of years after the events of the first film? On the plus side, however, The Dream Master can boast a final girl who is both compellingly assertive and unexpected, building logically on some of the expanded universe lore established by Dream Warriors, which helps to make it an obvious double feature with the preceding story. We only included movies with a theatrical release, and we ranked them – which means we can now crown the Best Movie of 2018. It has elements of the “us vs. them” counterculture films to come, with its “teen” characters (Steve McQueen was 27 at the time) being the immediate suspects of civil unrest according to local law enforcement, rather than the gelatinous alien blob slithering around town. Barrie, The Lost Boys is about as deep as a baby’s premolars, but don’t let that stop you from “vamping out.” —Amanda Schurr, Year: 1932 Director: Carl Theodor Dreyer Stars: Julian West, Maurice Schultz, Rena Mandel, Jan Hieronimko, Sybille Schmitz, Henriette Gerard Rating: NR Runtime: 73 minutes, While wandering the countryside, a naïve young man with a propensity for the occult stumbles upon a castle where he learns that the owner’s teenage daughter is slowly descending into vampirism. That’s because unlike the horror selections of Netflix, Hulu or (especially) Amazon Prime, the bulk of the selections here aren’t made up of modern, straight-to-VOD, zero-budget productions with vague, one-word titles like Desolation or Satanic. You can at least admire its deft evolution of John Hughes-era high school movie tropes, presenting an almost Mean Girls clique of girls with the added fun of witchcraft, although the inspiration might be more accurately attributed to the likes of Heathers. Here's the full list. The fourth, and by far the weirdest, entry, “In a Cup of Tea,” is a tale within a tale, purposely unfinished because the writer (Osamu Takizawa) who’s writing about a samurai (Noboru Nakaya) who keeps seeing an unfamiliar man (Kei Sato) in his cup of tea is in turn attacked by the malicious spirits he’s conjuring. There are bizarre weather events. Here’s where Scream 2—a respectable follow-up and one that sets the stage for all of the film’s lesser sequels—comes into play. —Andy Crump, Year: 2002 Director: Ronny Yu Stars: Monica Keena, Kelly Rowland, Jason Ritter, Chris Marquette, Lochlyn Munro, Robert Englund Rating: R Runtime: 98 minutes. Granted, it’s not the masterpiece of Night of the Hunter, but it’s a chilling, effective, impressive tale of ghouls, guilt and restless spirits. —Jim Vorel, Year: 1993 Director: Guillermo del Toro Stars: Federico Luppi, Ron Perlman, Claudio Brook, Margarita Isabel, Tamara Shanath Rating: R Runtime: 92 minutes, Even working with a small budget in his first feature film, the vitality of Guillermo Del Toro’s imagination was immediately on full display in Cronos, his Mexican vampire horror drama. Most importantly, the two types of films could exist side by side. You may not know much about Eraserhead, but you probably know what it is. Much of the credit belongs to pioneering stop-motion animator Willis O’Brien, who was inventing new techniques on the set of Kong on a daily basis, laying a foundation for an entire field of visual effects that are still being refined by studios such as Laika today. —Amanda Schurr, Year: 1997 Director: Wes Craven Stars: Neve Campbell, Courteney Cox, Sarah Michelle Gellar, David Arquette, Jamie Kennedy, Liev Schreiber Rating: R Runtime: 120 minutes, It was going to be hard to follow up the original Scream for plenty of reasons: Aside from it being one of the more innovative, self-aware horror films in years, Wes Craven killed off all of its bad guys in the final scenes of the movie. in 1954. Famed beauty Oh Hyun-kyung and youthful rapper DinDin engage in a rapid-fire rap battle with the Men, as well as having a surprising and comic Q&A session. Its haunted house/possession story is nothing you haven’t seen before, but few films in this oeuvre in recent years have had half the stylishness that Wan imparts on an old, creaking farmstead in Rhode Island. It’s almost enough to make us wish we saw the Round 2 sequel promised by the cheekily winking decapitated head of Krueger in the final scene—the last time that Englund has portrayed the character to date. It was simply too frightening to deny, and that is worthy of respect. —Jim Vorel, Year: 2002 Director: Guillermo Del Toro Starring: Wesley Snipes, Kris Kristofferson, Ron Perlman, Leonor Varela, Norman Reedus, Luke Goss Rating: R Runtime: 117 minutes, Leave it to gothic horror extraordinaire Guillermo del Toro to take our unstoppable vampire hunter and crank the style past 11 as he plays up the comic book craziness to the tilt. On one hand it’s a rollicking adventure film, with a classic “journey into the unknown” plot that is still being recycled for modern monster installments like Kong: Skull Island. When he decided to return to the series, the horror visionary therefore came up with a very “proto-Scream” idea—he set the film in the “real world,” casting himself, Robert Englund and the original film’s “final girl,” Heather Langenkamp, as themselves—movie industry people making yet another Freddy sequel. The first thing one notices, looking at the horror genre as it exists on HBO Max, is that there’s an unusual level of genuine curation involved here. Those rules essentially categorize every single zombie movie from here on out—either the film features “Romero-style zombies,” or it tweaks with the formula and is ultimately noted for how it differs from the Romero standard. The movie-unto-itself, “Hoichi the Earless,” pits the titular blind monk musician (Katsua Nakamura) against a family of ghosts, forcing the bard to recite—in hushed, heartbreaking passages on the biwa—the story of their wartime demise. Put a checkmark next to “mankind” in reply to both questions, and then wish that demons and spirits were real, because that’d be preferable to acknowledging reality. The former made “zombies” scary again, and the latter showed that the cultural zeitgeist of zombiedom (which was picking up around this point) could be mined for huge laughs as well. Below is our updated running tally of the films most frequently mentioned by individual critics on the year-end Top Ten lists. Christianity counts the following among the signs of the Apocalypse: Death saddling up a pale horse, stars plummeting from the sky, kings hiding under rocks, and seven angels making a racket on their trumpets. Perhaps it’s best to simply treat it as a stand-alone story. Maizura, Panji Zoni, Yayan Ruhian. Those techniques were likewise carried on and further refined by O’Brien’s arguably more famous protege, Ray Harryhausen, who used them to great effect in the second golden age of the monster movie, from the 1950s through the 1970s. —Mark Rozeman, Year: 1977 Director: Nobuhiko Obayashi Stars: Kimiko Ikegami, Miki Jinbo, Ai Matubara, Kumiko Oba, Mieko Sato, Eriko Tanaka Rating: NR Runtime: 88 minutes, Oh, how to describe Hausu? As the years have passed by and an appreciation for Dreyer has grown, however, so has an appreciation for the film, with many modern critics citing its subversive take on sexuality to be years ahead of its time. For those who worry that it’s “not safe to go back in the water,” then most certainly it is. Sci-fi thriller, old-timey cyberpunk, grody procedural—Cronenberg litters his typical themes of transformation and transmutation throughout a story that, at practically any moment, feels like it could turn completely on its head. (That’s father of the year material right there.) Not only are there great new characters in the ’pack, but as this is a del Toro joint, there’s 100% more Ron Perlman. You may also want to consult the following horror-centric lists: The 100 best horror films of all time. Day of the Dead ultimately takes a monster that audiences thought they knew pretty well at this point and suggests that perhaps they were only just scratching the surface of the subgenre’s potential. pas de frais. A simple tale about a funny-haired worker (Jack Nance) trundling nervously through a phantasmagoric industrial landscape, in the process fathering a mutant turtle-looking baby who he’s left to raise after his new wife abandons her “family,” Eraserhead is an astounding act of burying independently-minded cinematic experimentation in the popular consciousness. The film toys with audience’s expectations by throwing big scares at you without standard Hollywood Jump Scare build-ups, simultaneously evoking classic golden age ghost stories such as Robert Wise’s The Haunting. From micro-indies to big budget blockbusters, this is the good stuff from our wild and momentous year — every movie here scored high on the Tomatometer, enough to get stamped Certified Fresh. It’s a well-preserved time capsule of a very specific moment in the twilight of the MTV Generation. Director Franju plays Eyes Without a Face in just the right register, balancing the unnerving, the perverse and the intimate, as the most enduring pulpy horror tales tend to do. Rent/buy. Nothing to sneeze at, especially in 1997—that’s a bigger budget than It had in 2017, in fact. Island's Lee Hong-gi makes a rare appearance since pursuing indie music projects. The film feels pulled in multiple directions at once, but it probably didn’t deserve every bit of the scorn it received from many genre geeks. The actual horror scenes can’t quite match up to the best stuff in parts 1 and 3, but it’s never hurting for imagination. More importantly, it established all of the genre rules: Zombies are reanimated corpses. A rushed sequel without original creator Wes Craven’s input, Freddy’s Revenge breaks the logic of the Nightmare films by having Freddy appear in the real world—killing in dreams is pretty much his whole hook!—but has become a cult classic apart from its franchise legacy based purely on screenwriter David Chaskin’s embrace of the infamous maxim “subtext is for cowards.” Featuring young actor Mark Patton (who had just played a gay character in another film, and was desperate not to be typecast) as Jesse, one of the genre’s few male “Final Girls,” Freddy’s Revenge turns the scarred dream predator into a physical manifestation of Jesse’s conflicted sexuality, and even features a scene where Freddy kills Jesse’s gym teacher in a BDSM-inspired shower scene, not long after Jesse accidentally runs into him at a gay bar. The best horror movies on Amazon Prime, Year: 1980 Director: Stanley Kubrick Stars: Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers Rating: R Runtime: 142 minutes, As an aural-visual experience, The Shining is likely the single most distinctive horror film ever made. —Steve Foxe, Year: 2019 Director: Gary Dauberman Stars: Mckenna Grace, Madison Iseman, Katie Sarife, Vera Farmiga, Patrick Wilson Rating: R Runtime: 106 minutes, After five years and seven films, the Conjuring franchise has developed a glossy house style and nearly exhausted its repertoire of scares. It feels like some kind of elaborate practical joke played on the viewer, like at any moment the director will show up at your door and say “We really had you going, didn’t we?” My favorite scene may be the trip to the general store, which features a shopkeep played by an actor who was apparently on a day trip from a local mental institution. It was too much the product of an auteur mind to be so easily unwrapped and reverse engineered; nor was its initial reaction entirely positive, contrary to what you might now assume. Animated game-changer Spider-Man: Into the Spider-Verse? —Tyler Kane, Year: 1996 Director: Robert Rodriguez Stars: George Clooney, Quentin Tarantino, Juliette Lewis, Harvey Keitel, Cheech Marin, Fred Williamson, Salma Hayek Rating: R Runtime: 108 minutes, I can’t help but wonder, watching From Dusk Till Dawn, what the film might have looked like if Robert Rodriguez wrote it as well, rather than Quentin Tarantino. —Jim Vorel, Year: 1992 Director: Francis Ford Coppola Stars: Gary Oldman, Keanu Reeves, Winona Ryder, Anthony Hopkins Rating: R Runtime: 128 minutes, Based on the 1897 Gothic horror classic, Francis Ford Coppola’s unabashedly over-the-top adaptation is at times as chuckle-worthy as it is impressive. ), The Guernsey Literary and Potato Peel Pie Society, Let the Sunshine In (Un beau soleil intérieur), Divide and Conquer: The Story of Roger Ailes, Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, Scotty and the Secret History of Hollywood, 30 Most Popular Movies Right Now: Top Films Everyone’s Watching, Best Netflix Series and Shows To Watch Right Now (May 2021).
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