[101] Rather than being deliberately or uncontrollably self-destructive, this habit was probably a product of his being careless about his health, which was a common characteristic of jazz musicians, and his enthusiasm for life. 20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. [154] Tatum was able to transform the styles of preceding jazz piano through virtuosity: where other pianists had employed repetitive rhythmic patterns and relatively simple decoration, he created "harmonic sweeps of colour [...and] unpredictable and ever-changing shifts of rhythm. Arthur Tatum Jr. (/ˈteɪtəm/, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest in his field. Shopping. [11][note 2] As a result of eye operations, by the age of 11 Tatum could see objects close to him and perhaps distinguish colors. Tatum did not consider himself a classical pianist, but one of his most famous works is his own version of the “Humoresque” by Antonin Dvorak. Tatum was nearly blind, and learned to play almost entirely on his own by copying piano roll recordings that his mother played, and he did all of this by ear at the age of 3! This recording is from Tatum's massive Pablo output (eight solo recordings and eight group recordings) made between 1953-55. The couple had four children; Art was the oldest to survive, and was born in Toledo on October 13, 1909. [146][147] Whereas in a professional setting he would often give audiences what they wanted – performances of songs that were similar to his recorded versions – but decline to play encores, in after-hours sessions with friends he would play the blues, improvise for long periods on the same sequence of chords, and move even more away from the melody of a composition. A child prodigy with perfect pitch, Tatum learned to play by ear, picking out church hymns by the age of three, learning tunes from the radio, and copying piano-roll recordings his mother owned. [114] During his career, he also played his own arrangements of a few classical piano pieces, including Dvořák's Humoresque and Massenet's "Élégie",[151] and recorded around a dozen blues pieces. Browse All Art Tatum Sheet Music Musicnotes features the world's largest online digital sheet music catalogue with over 400,000 arrangements available to print and play instantly. [182] Mary Lou Williams said, "Tatum taught me how to hit my notes, how to control them without using pedals. "Art Tatum:Nine Classic Albums" is a reissue of "The Genius of Art Tatum, Volumes 1-9",. Naxos: 8120610. "[163] Tatum could maintain these qualities of touch and tone even at the quickest tempos, when almost all other pianists would be incapable of playing the notes at all. He left Toledo in 1932 and had residencies as a solo pianist at clubs in major urban centers including New York, Chicago, and Los Angeles. Albums include Piano Starts Here, The Art Tatum - … Art Tatum (piano) Skip to main content. "[163] This style was not one that could be adapted to the form of bebop: "the orchestral approach to the keyboard [...] was too thick, too textured to work in the context of a bebop rhythm section. [8] He was followed by Arline nine years later and by Karl after another two years. [58] In August of the same year, he married Ruby Arnold, who was from Cleveland. His genius was recorded during the '30s, when swing was the dominant music of choice. Consequently, this century was without a dominant style. 00:00 / 01:24. A. Tatum) Work length 2:38. If you put a piano in a room, just a bare piano. [17] Other musicians reported that he had perfect pitch. [64], In California, Tatum also played for Hollywood parties and appeared on Bing Crosby's radio program late in 1936. [25] Overton G. Rainey, who gave him formal piano lessons in the classical tradition at either the Jefferson School or the Toledo School of Music, was also visually impaired, did not improvise, and discouraged his students from playing jazz. Such was his improvisational genius and jaw-dropping dexterity that Tatum’s … de Art Tatum. [190] Others, including trumpeter Rex Stewart and pianists Oscar Peterson and Bobby Short, were overwhelmed and began to question their own abilities. [41] On August 5 that year, Hall and her band recorded two sides ("I'll Never Be the Same" and "Strange as It Seems") that were Tatum's first studio recordings. It is generally agreed that Art Tatum was the greatest jazz virtuoso of them all. [79] One of the releases, a version of "Tea for Two", was added to the Grammy Hall of Fame in 1986. As an introduction to Tatum's virtuoso renditions, this set is indispensable. He incorporated ragtime, blues, swing, boogie-woogie, and classical influences to form his unique style. [88] Nevertheless, Tatum was awarded Esquire magazine's prize for pianists in its 1944 critics' poll, which led to his playing alongside other winners at the Metropolitan Opera House in New York. Browse Community. [18][19] As a child he was sensitive to the piano's intonation and insisted it be tuned often. [56] It is likely that neither parent had a major role in raising their son, who pursued a military career and died in the 1980s. [15], Accounts vary on whether Tatum's parents played any musical instruments, but it is likely that he was exposed at an early age to church music, including through the Grace Presbyterian Church that his parents attended. Tatum's solo recitals for the Verve label in the 1950s. Each one [...] was light and complete and resonant, like the letters on a finely printed page. [43], After his arrival in New York, Tatum participated in a cutting contest at Morgan's bar in Harlem, with the established stride piano masters – Johnson, Waller, and Willie "The Lion" Smith. Art Tatum & Ben Web …. [10], From infancy, Tatum had impaired vision. [52] He recorded his first four released solo sides, for Brunswick Records, in March 1933: "St. Louis Blues", "Sophisticated Lady", "Tea for Two", and "Tiger Rag". [133] He was buried at Rosedale Cemetery in Los Angeles,[134] but was moved to the Forest Lawn cemetery in Glendale, California, in 1992[135] by his second wife, so she could be buried next to him. [181] Even musicians who played in very different styles, such as Bud Powell, Lennie Tristano, and Herbie Hancock, memorized and recreated some of his recordings to learn from them. [123], Tatum and Ruby divorced early in 1955. [191] Some musicians, including Les Paul and Everett Barksdale, stopped playing the piano and switched to another instrument after hearing Tatum. The rumor has it that the important classical music pianists of the time also admired Tatum’s genius. [153], Saxophonist Benny Green wrote that Tatum was the only jazz musician to "attempt to conceive a style based upon all styles, to master the mannerisms of all schools, and then synthesize those into something personal". [103] In 1947, Tatum again appeared on film, this time in The Fabulous Dorseys. Art Tatum (piano) Arlen: I Gotta Right to Sing the Blues (arr. [138], Tatum was independent-minded and generous with his time and money. [174] His large hands allowed him to play a left-hand trill with thumb and forefinger while also using his little finger to play a note an octave lower. Stream ad-free or purchase CD's and MP3s now on Amazon. Welcome offer – 65% OFF only for new users. [33] Tatum also began to play in larger Midwestern cities outside his home town, including Cleveland, Columbus, and Detroit. Recorded For The Verve Label. ‘A Handful of Keys’ is a good starting point. Sign up for our newsletter to get a special 50% discount on all your purchases for 10 days! Tatum's repertoire consisted mainly of music from the Great American Songbook — Copy link. To me, this performance includes the entire history of jazz, even that which came much later! [51] The Onyx was one of the first jazz clubs to open on 52nd Street,[50] which became the city's focal point for public jazz performance for more than a decade. [37] They were impressed by what they heard: from near the start of the pianist's career, "his accomplishment [...] was of a different order from what most people, from what even musicians, had ever heard. [9] Karl went to college and became a social worker. Vladimir Horowitz, Arthur Rubinstein, Sergei Rachmaninoff, Leopold Godowsky and George Gershwin watched Tatum … [77] A similar thing happened the following year: of the 18 sides he recorded, only two were issued as 78s. [105] In the same year, he signed to Capitol Records and recorded 26 pieces for them. "[153] This style was hugely influential on the development of saxophone playing in jazz, and put it on course to becoming the dominant instrument in the music. Art Tatum (Arthur Tatum, Jr., October 13, 1909, Toledo, Ohio, USA - November 5, 1956, Los Angeles, California) was an American jazz pianist and virtuoso who played with phenomenal facility despite being nearly blind since birth. Let's finish up with some pianistic fireworks. En 1934, il est musicien de boîtes de nuit à Cliveland. Wishlist My account Currency is US dollars. His teacher their recognized his talents and tried to steer him towards as a career as a classical concert pianist. Tatum, who was visually impaired from childhood, displayed an early aptitude for music. [75] He then returned to the Three Deuces. $1.20. [156], Other musicians sought to transfer elements of Tatum's pianistic virtuosity to their own instruments. We present to you two incredible instances of Tatum improvising on classical pieces. Off. Art Tatum, a Black pianist, and one of the greatest jazz pianists of all time, was born on this date in 1909, in Toledo, OH.. Tatum was blind in one eye and visually impaired in the other. [158] He incorporated upper intervals such as elevenths and thirteenths,[159] and added tenths (and greater intervals) to the left-hand vocabulary of the earlier stride piano style. [201] Also in Toledo, the Lucas County Arena unveiled a 27-feet-high sculpture, the "Art Tatum Celebration Column", in 2009.[202]. A. Tatum) Work length … [99] He recorded with the Barney Bigard Sextet and cut nine solo tracks in 1945. [189] Many pianists tried to copy him and attain the same level of ability, hindering their progress towards finding their own style. An Online Journal of Jazz and Classical Music. [4] His father, Arthur Tatum Sr., was born in Statesville, North Carolina,[3][note 1] and had steady employment as a mechanic. Il étudie d’abord le violon et la guitare, puis le piano dans un institut de Columbus. Traveled Overseas. One full-length biography has been published – Too Marvelous for Words (1994), written by James Lester. Tatum's eyesight is discussed in detail by, In an informal recording from 1952, he can be heard playing A, There is a 2009 self-published biography in German (. [127] He married again later that year – Geraldine Williamson, with whom he had probably already been living. Select a department to search. [93][94] This was described much later as an "unheard-of figure" for the time. [70], In March 1938, Tatum and his wife embarked on the Queen Mary for England. Arthur Jr Tatum[1] naît le 13 octobre 1909 à Toledo (Ohio), dans une famille qui n'était pas particulièrement musicienne[2]. encompassing a full sound instead of highlighting one or more timbres[31]) that appeared in Tatum's playing. [130] He was too unwell to continue touring, so returned to his home in Los Angeles. [1][2] From early in his career, Tatum's technical ability was regarded by fellow musicians as extraordinary. [132], Tatum died the following day, at Queen of Angels Medical Center in Los Angeles, from uremia. [180] He made jazz musicians more aware of harmonic possibilities by changing the chords that he used with great frequency; this helped lay the foundations for the emergence of bebop in the 1940s. Granz recorded Tatum extensively in solo and small group formats in the mid-1950s, with the last session occurring only two months before the pianist's death from uremia at the age of 47. [158] His modern chord voicing and chord substitutions were also pioneering in jazz. Art Tatum : biographie, portrait et actualités. [95] The Billboard reviewer commented that "Tatum is given a broken-down instrument, some bad lights and nothing else", and observed that he was almost inaudible beyond the front seating because of the audience noise. Art Tatum, 'The Musician's Musician' Count Basie called him "The 8th Wonder of the World" and the clarity and speed of his playing has never been matched. He came from a musical family and when younger had some formal training at the Toledo School of Music, however he was largely self-taught. [39], This had changed by the time that vocalist Adelaide Hall, touring the United States with two pianists, heard Tatum play in Toledo in 1932 and recruited him:[40] he took the opportunity to go to New York as part of her band. [53] The last of these was a minor hit, impressing the public with its startling tempo of approximately 376 (quarter note) beats per minute, and with right-hand eighth notes adding to the technical feat. In that decade, he settled into a pattern that he followed for most of his career – paid performances followed by long after-hours playing, all accompanied by prodigious consumption of alcohol. [42] Two more sides with Hall followed five days later, as did a solo piano test-pressing of "Tea for Two" that was not released for several decades. [106] He also played for the first time at Club Alamo in Detroit, but stopped when a black friend was not served. See Full Discography. The Tatum Group Masterp …. [136] Tatum was inducted into the DownBeat Jazz Hall of Fame in 1964[137] and was given a Grammy Lifetime Achievement Award in 1989. [20] He learned tunes from the radio, records, and by copying piano roll recordings. [112], Tatum's four-year absence from the recording studios as a soloist ended when Granz, who owned Clef Records, decided to record his solo playing in a way that was "unprecedented in the recording industry: invite him into the studio, start the tape, and let him play whatever he felt like playing. 1933 - Art Tatum enregistre le fameux "Tiger rag", pour lequel Stéphane Grappelli refusa de croire qu'il n'y avait qu'un seul musicien. [149] From the 1940s, he progressively lengthened the runs to eight or more bars, sometimes continuing them across the natural eight-bar boundaries within a composition's structure, and began to use a harder, more aggressive attack. [180] The virtuoso solo aspects of Tatum's style were taken on by pianists such as Adam Makowicz, Simon Nabatov, Oscar Peterson, and Martial Solal. Idolized by jazz instrumentalists and lauded by musicians such as Vladimir Horowitz and composer George Gerschwin, jazz pianist Art Tatum possessed a name synonymous with genius. [114] The critical reception was mixed and partly contradictory. He could do that in either hand". Art Tatum. [184] "Perhaps the most important idea Parker learned from Tatum was that any note could be made to fit in a chord if suitably resolved. Art Tatum (Arthur Tatum, Jr., October 13, 1909, Toledo, Ohio, USA - November 5, 1956, Los Angeles, California) was an American jazz pianist and virtuoso who played with phenomenal facility despite being nearly blind since birth. Give valuable feedback to the author. Musical style diverged during the 20th century as it never had previously. Art Tatum, in full Arthur Tatum, Jr., (born October 13, 1909, Toledo, Ohio, U.S.—died November 5, 1956, Los Angeles, California), American pianist, considered one of the greatest technical virtuosos in jazz. [156][157] Prior to Tatum, jazz harmony was mainly triadic, with flattened sevenths and infrequent ninths; he went beyond this, influenced by the harmonies of Debussy and Ravel. [35] During 1928–29, the radio program was re-broadcast nationwide by the Blue Network. It is perhaps in this endeavor - solo jazz stride piano - that Tatum showed his greatest genius. Then you get all the finest jazz pianists in the world and let them play in the presence of Art Tatum. And he showed me how to keep my fingers flat on the keys to get that clean tone. [126] They probably did not travel much together and she had become an alcoholic; the divorce was acrimonious. [189], There is little published information available about Tatum's life. If playback doesn't begin shortly, try restarting your device. [142] He avoided discussing his personal life and history in interviews[143] and in conversation with acquaintances. Joja said: “During that time, piano players weren’t played in cash, they were played in drinks. May 23, 2016 - This Pin was discovered by artbook.cz Antikvariat Prazsky. Watch later. He was followed by Arline nine years later and by Karl after another two years. [92] Early in 1945, Billboard reported that Tatum was being paid $1,150 a week as a soloist by the Downbeat Club on 52nd Street to play four sets of twenty minutes each per night. [126] She had little interest in music, and did not normally attend his performances. [21] In an interview as an adult, Tatum denied the story that his playing ability developed because he had attempted to reproduce piano roll recordings that, without his knowing, had been made by two performers. [67] Continuing to travel by long-distance train, Tatum settled into a pattern of performances at major jazz clubs in Los Angeles, Chicago, and New York, interspersed with appearances at minor clubs where musicians of his standing did not normally play. Retrouvez nos podcasts et vidéos de concerts. In addition to being acclaimed for his virtuoso technique, Tatum … [139] Not wanting to be restricted by Musicians' Union rules, he avoided joining for as long as he could. [59] The following month, he began a residence of about a year at the Three Deuces in Chicago, initially as a soloist and then in a quartet of alto saxophone, guitar, and drums. Piano Starts Here: Live at The Shrine Zenph Re-performance by Tatum, Art (2008) Audio CD. In 1909, they made their way from North Carolina to begin a new life in Toledo, Ohio. [145], Tatum was said to be more spontaneous and creative in free-form nocturnal sessions than in his scheduled performances. (Keith Jarrett, a … Art Tatum plays Dvorak. [109] He did not try to create new melodic lines over a harmonic progression; instead, he implied or played the original melody or fragments of it, while superimposing countermelodies and new phrases to create new structures based around variation. Art Tatum Trio. [164] Schuller argues that Tatum was still developing towards the end of his life – he had greater rhythmic flexibility when playing at a given tempo, more behind the beat swing, more diverse forms of expression, and he employed far fewer musical quotations than earlier in his career. [160], Tatum had a different way of improvising from what is typical in modern jazz. The first is W.C. Handy’s composition "Aunt Hagar’s Blues," from Tatum's 1949 recording. [92], A fellow pianist from the years after World War II estimated that Tatum routinely drank two quarts (1.9 L) of whiskey and a case of beer over the course of 24 hours,[100] but almost all reports are that such drinking did not negatively affect his playing. [85] The other musicians in the trio were guitarist Tiny Grimes and bassist Slam Stewart. [149] He also increased the frequency of harmonic substitutions and the variety of musical devices played by his left hand, and developed a greater harmonic and contrapuntal balance across the piano's upper and lower registers. Share. Shop our newest and most popular Art Tatum sheet music such as "All the Things You Are" , "How High the Moon" and "Tea for Two" , or click the button above to browse all Art Tatum sheet music. In the 1940s, Tatum led a commercially successful trio for a short time and began playing in more formal jazz concert settings, including at Norman Granz-produced Jazz at the Philharmonic events. [71] While in England, he appeared twice on the BBC Television program Starlight. / Ben Webs …. "[153] He did not add to the classical pieces he had used earlier. [75] The overseas trip appeared to have boosted his reputation, particularly with the white public, and he was able to have club residencies of at least several weeks at a time in New York over the following few years, sometimes with stipulations that no food or drink would be served while he was playing.
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